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Who Was The Genie In The Animated Feature Of Aladdin

Middle Eastern folk tale

Aladdin and the Wonderful Lamp
Alad.jpg

Aladdin finds the wonderful lamp inside the cavern. A c. 1898 illustration by Rene Bull.

Folk tale
Name Aladdin and the Wonderful Lamp
Data
Aarne–Thompson grouping ATU 561 (Aladdin)
Region Middle E
Published in One thousand and One Nights, compiled and translated past Antoine Galland

Aladdin ( ə-LAD-in; Standard arabic: علاء الدين, ʻAlāʼ ud-Dīn/ ʻAlāʼ ad-Dīn , IPA: [ʕalaːʔ adˈdiːn], ATU 561, 'Aladdin') is a Middle-Eastern folk tale. It is one of the all-time-known tales associated with The Book of One Thousand and One Nights (The Arabian Nights), despite not beingness part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian Maronite storyteller Hanna Diyab.[ane]

Sources [edit]

Known along with Ali Baba as 1 of the "orphan tales", the story was non office of the original Nights drove and has no accurate Arabic textual source, but was incorporated into the book Les mille et une nuits by its French translator, Antoine Galland.[2]

John Payne quotes passages from Galland's unpublished diary: recording Galland's meet with a Maronite storyteller from Aleppo, Hanna Diyab.[ane] According to Galland's diary, he met with Hanna, who had travelled from Aleppo to Paris with celebrated French traveller Paul Lucas, on March 25, 1709. Galland'southward diary farther reports that his transcription of "Aladdin" for publication occurred in the winter of 1709–x. It was included in his volumes ix and x of the Nights, published in 1710, without any mention or published acquittance of Hanna'due south contribution.

Payne also records the discovery in the Bibliothèque Nationale in Paris of ii Arabic manuscripts containing Aladdin (with two more of the "interpolated" tales). One was written by a Syrian Christian priest living in Paris, named Dionysios Shawish, alias Dom Denis Chavis. The other is supposed to exist a copy Mikhail Sabbagh made of a manuscript written in Baghdad in 1703. It was purchased by the Bibliothèque Nationale at the end of the nineteenth century.[three] As function of his work on the commencement disquisitional edition of the Nights, Iraq's Muhsin Mahdi has shown[4] that both these manuscripts are "back-translations" of Galland'due south text into Standard arabic.[5] [six]

Ruth B. Bottigheimer[7] and Paulo Lemos Horta[8] [9] have argued that Hanna Diyab should be understood as the original author of some of the stories he supplied, and even that several of Diyab'south stories (including Aladdin) were partly inspired by Diyab's ain life, as in that location are parallels with his autobiography.[10]

Plot summary [edit]

The Wizard traps Aladdin in the magic cavern.

The story is frequently retold with variations. The following is a précis of the Burton translation of 1885.[11]

Aladdin is an impoverished young ne'er-do-well, dwelling in "one of the cities of China". He is recruited past a wizard from the Maghreb, who passes himself off equally the brother of Aladdin's tardily father, Mustapha the tailor, convincing Aladdin and his female parent of his good will past pretending to ready the lad as a wealthy merchant. The sorcerer'due south real motive is to persuade young Aladdin to retrieve a wonderful oil lamp (chirag) from a booby-trapped magic cavern. Subsequently the sorcerer attempts to double-cross him, Aladdin finds himself trapped in the cave. Aladdin is yet wearing a magic ring the sorcerer has lent him. When he rubs his hands in despair, he inadvertently rubs the ring and a jinnī (or "genie") appears and releases him from the cavern, allowing him to return to his mother while in possession of the lamp. When his female parent tries to clean the lamp, so they can sell it to buy food for their supper, a 2nd far more powerful genie appears who is bound to do the behest of the person belongings the lamp.

With the help of the genie of the lamp, Aladdin becomes rich and powerful and marries Princess Badroulbadour, the sultan's girl (afterwards magically foiling her marriage to the vizier's son). The genie builds Aladdin and his helpmate a wonderful palace, far more than magnificent than the sultan's.

The sorcerer hears of Aladdin's good fortune, and returns; he gets his hands on the lamp by tricking Aladdin's wife (who is unaware of the lamp's importance) by offering to substitution "new lamps for old". He orders the genie of the lamp to take the palace, forth with all its contents, to his home in the Maghreb. Aladdin yet has the magic ring and is able to summon the lesser genie. The genie of the ring cannot direct undo whatsoever of the magic of the genie of the lamp, only he is able to ship Aladdin to the Maghreb where, with the assistance of the "adult female'due south wiles" of the princess, he recovers the lamp and slays the sorcerer, returning the palace to its proper place.

The sorcerer'due south more powerful and evil brother plots to destroy Aladdin for killing his brother by disguising himself as an old woman known for her healing powers. Badroulbadour falls for his disguise and commands the "woman" to stay in her palace in instance of any illnesses. Aladdin is warned of this danger by the genie of the lamp and slays the impostor.

Aladdin eventually succeeds to his father-in-law'due south throne.

Setting [edit]

The opening sentences of the story, in both the Galland and the Burton versions, set it in "one of the cities of Red china".[12] On the other hand, at that place is practically nada in the rest of the story that is inconsistent with a Middle Eastern setting. For instance, the ruler is referred to as "Sultan" rather than "Emperor", as in some retellings, and the people in the story are Muslims and their chat is filled with Muslim platitudes. A Jewish merchant buys Aladdin's wares, only in that location is no mention of Buddhists, Daoists or Confucians.

Notably, indigenous groups in Chinese history have long included Muslim groups, including large populations of Uighurs, and the Hui people as well as the Tajiks whose origins go dorsum to Silk Road travelers. Islamic communities accept been known to exist in the region since the Tang dynasty (which rose to power simultaneously with the prophet Muhammad's career.) Some have suggested that the intended setting may be Turkestan (encompassing Cardinal Asia and the modern-day Chinese democratic region of Xinjiang in Western Communist china).[xiii]

For all this, speculation about a "existent" Chinese setting depends on a knowledge of People's republic of china that the teller of a folk tale (as opposed to a geographic skilful) might well not possess.[14] In early Arabic usage, China is known to have been used in an abstruse sense to designate an exotic, faraway land.[15] [16]

Motifs and variants [edit]

Tale blazon [edit]

The story of Aladdin is classified in the Aarne–Thompson–Uther Index equally tale type ATU 561, "Aladdin", after the character. In the Index, the Aladdin story is situated side by side to two similar tale types: ATU 560, The Magic Ring, and ATU 562, The Spirit in the Blue Light.[17] All stories deal with a downwardly-on-his-luck and impoverished male child or soldier, who finds a magical item (ring, lamp, tinderbox) that grants his wishes. In this tale type, the magical particular is stolen, but somewhen recovered thanks to the use of another magical object.[xviii]

Distribution [edit]

Since its appearance in The One Thou and Ane Nights, the tale has integrated into oral tradition. Scholars Ton Deker and Theo Meder located variants across Europe and the Middle East.[19]

An Indian variant has been attested, titled The Magic Lamp and collected among the Santal people.[xx] [21]

Adaptations [edit]

Adaptations vary in their faithfulness to the original story. In item, difficulties with the Chinese setting are sometimes resolved by giving the story a more than typical Arabian Nights background.

Books [edit]

  • One of the many literary retellings of the tale appears in A Book of Wizards (1966) and A Choice of Magic (1971), by Ruth Manning-Sanders. Another is the early Penguin version for children, Aladdin and His Wonderful Lamp, illustrated by John Harwood with many Chinese details: the translator or re-teller is non acknowledged: this was a "Porpoise" banner printed in 1947 and released in 1948.
  • Aladdin: Master of the Lamp (1992), edited by Mike Resnick and Martin H. Greenberg, is an anthology containing 43 original short stories inspired by the tale.
  • "The Nobility of Organized religion" by Jonathan Clements in the anthology Doc Who Curt Trips: The Ghosts of Christmas (2007) is a retelling of the Aladdin story in the style of the Arabian Nights, merely featuring the Doctor in the role of the genie.

Comics [edit]

Western comics [edit]

  • In 1962 the Italian co-operative of Walt Disney Productions published the story Paperino east la grotta di Aladino (Donald and Aladdin'due south Cave), written past Osvaldo Pavese and drawn by Pier Lorenzo De Vita. Every bit in many pantomimes, the plot is combined with elements of the Ali Baba story: Uncle Scrooge leads Donald Duck and their nephews on an expedition to find the treasure of Aladdin and they encounter the Middle Eastern counterparts of the Beagle Boys. Scrooge describes Aladdin as a brigand who used the legend of the lamp to cover the origins of his ill-gotten gains. They find the cave holding the treasure—blocked by a huge rock requiring a magic password ("open sesame") to open up.[22]
  • The original version of the comic book character Light-green Lantern was partly inspired by the Aladdin myth; the protagonist discovers a "lantern-shaped power source and a 'ability ring'" which gives him power to create and control matter.[23]

Manga [edit]

  • The Japanese manga series Magi: The Labyrinth of Magic is not a direct adaptation, but features Aladdin as the main character of the story and includes many characters from other I Thousand and One Nights stories. An adaptation of this comic to an anime television series was made in Oct 2012 in which Aladdin is voiced by Kaori Ishihara in Japanese and Erica Mendez in English.

Pantomimes [edit]

An 1886 theatre poster advertising a production of the pantomime Aladdin.

  • In the United Kingdom, the story of Aladdin was dramatised in 1788 by John O'Keefe for the Theatre Royal, Covent Garden.[24] It has been a popular subject for pantomime for over 200 years.[25]
  • The traditional Aladdin pantomime is the source of the well-known pantomime graphic symbol Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit information technology amend into "Cathay" (albeit a Red china situated in the East End of London rather than medieval Baghdad), and elements of other Arabian Nights tales (in detail Ali Baba) are often introduced into the plot. One version of the "pantomime Aladdin" is Sandy Wilson's musical Aladdin, from 1979.
  • Since the early 1990s, Aladdin pantomimes take tended to be influenced past the Disney animation. For example, the 2007/8 production at the Birmingham Hippodrome starring John Barrowman featured songs from the Disney movies Aladdin and Mulan.

Other musical theatre [edit]

New Crowns for Old, a 19th-century British cartoon based on the Aladdin story (Disraeli as Abanazer from the pantomime version of Aladdin offering Queen Victoria an Imperial crown (of India) in exchange for a Royal i)

  • The New Aladdin was a successful Edwardian musical one-act in 1906.
  • Adam Oehlenschläger wrote his verse drama Aladdin in 1805. Carl Nielsen wrote incidental music for this play in 1918–xix. Ferruccio Busoni gear up some verses from the last scene of Oehlenschläger's Aladdin in the last movement of his Pianoforte Concerto, Op. 39.
  • In 1958, a musical comedy version of Aladdin was written especially for Us television with a book past Due south. J. Perelman and music and lyrics by Cole Porter. A London phase product followed in 1959 in which a thirty-year-old Bob Monkhouse played the part of Aladdin at the Coliseum Theatre.[26]
  • Aladdin; Prince Street Players version; book by Jim Eiler; Music by Jim Eiler and Jeanne Bargy; Lyrics past Jim Eiler.[27]
  • Broadway Junior has released Aladdin Jr., a children's musical based on the music and screenplay of the Disney animation.
  • The Disney'southward Aladdin: A Musical Spectacular musical stage prove ran in Disney California Adventure from January 2003 to January 10, 2016.[28]
  • StarKid Productions released the musical "Twisted" on YouTube in 2013, a parody of the 1992 Disney motion-picture show that is told from the royal vizier's point of view.
  • A Disney Theatrical Production of Aladdin opened in 2011 in Seattle, in Toronto in 2013, and on Broadway at the New Amsterdam Theatre on March 20, 2014.

Theatrical films [edit]

Aladdin and the Wonderful Lamp (1917)

Blitheness: Europe and Asia [edit]

  • The 1926 animated motion picture The Adventures of Prince Achmed (the primeval surviving animated feature moving-picture show) combined the story of Aladdin with that of the prince. In this version the princess Aladdin pursues is Achmed'southward sister and the sorcerer is his rival for her hand. The magician steals the castle and the princess through his own magic and and so sets a monster to attack Aladdin, from which Achmed rescues him. Achmed then informs Aladdin he requires the lamp to rescue his own intended wife, Princess Pari Banou, from the demons of the Island of Wak Wak. They convince the Witch of the Fiery Mount to defeat the sorcerer, and and so all three heroes join forces to battle the demons.
  • The blithe feature Aladdin et la lampe merveilleuse by Moving-picture show Jean Image was released in 1970 in France. The story contains many of the original elements of the story every bit compared to the Disney version.
  • A Chiliad and One Nights is a 1969 Japanese adult anime feature picture show directed past Eiichi Yamamoto, conceived by Osamu Tezuka. The motion-picture show is a first part of Mushi Production'southward Animerama, a series of films aimed at an developed audition.
  • An eldery version of Aladdin appears as a protagonist in the 1975 anime series Arabian Nights: Sinbad'south Adventures.
  • Aladdin and the Magic Lamp was a rendition in Japanese directed by Yoshikatsu Kasai, produced in Nihon by Toei Animation and released in the Us by The Samuel Goldwyn Company in 1982.
  • Son of Aladdin is a 2003 Indian 3D-blithe fantasy-run a risk pic by Singeetam Srinivasa Rao, produced past Pentamedia Graphics. It follows the adventures of the son of Aladdin and his fight with an evil sorcerer.

Animation: USA [edit]

  • Aladdin is a kid labourer who works for a guy that exchanges "new lamps for old" in the 1934 brusk moving picture Aladdin and the Wonderful Lamp.[29]
  • In the 1938 animated film Have Y'all Got Any Castles?, Aladdin makes a brief advent asking for aid but gets punched past one of the Three Musketeers.
  • Aladdin and His Wonderful Lamp is a 1939 Popeye the Sailor drawing.
  • The 1959 animated picture 1001 Arabian Nights starring Mr. Magoo as Aladdin's uncle and produced by UPA.
  • Aladdin is a 48-minute animated motion picture based on the classic Arabian Nights story "Aladdin and the magic lamp", translated by Antoine Galland. Aladdin was produced by Gilded Films and the American Moving-picture show Investment Corporation. Like all other Golden Films productions, the film featured a single theme song, "Rub the Lamp", written and composed by Richard Hurwitz and John Arrias. It was released directly to video on April 27, 1992 by GoodTimes Home Video (months before Disney'south version was released) and was reissued on DVD in 2002 as part of the distributor's Collectible Classics line of products.
  • Aladdin, the 1992 animated feature by Walt Disney Feature Animation (currently the all-time-known retelling of the story). In this version several characters are renamed or amalgamated. For instance the Sorcerer and the Sultan's vizier were combined into one graphic symbol named Jafar while the Princess is renamed Jasmine. They have new motivations for their actions. The Genie of the Lamp only grants three wishes and desires freedom from his role. A sentient magic carpet replaces the ring'south genie while Jafar uses a royal magic band to find Aladdin. The names "Jafar" and "Abu", the Sultan'due south delight in toys, and their physical appearances are borrowed from the 1940 flick The Thief of Bagdad. The setting is moved from Cathay to the fictional Arabian urban center of Agrabah, and the construction of the plot is simplified.
    • The Return of Jafar (1994), direct-to-video sequel to the 1992 Walt Disney movie.
    • Aladdin and the Male monarch of Thieves (1996), direct-to-video second and final sequel to the 1992 Walt Disney movie.

Live-action: English language films [edit]

  • Aladdin and the Wonderful Lamp (1917), directed by Chester Chiliad. Franklin and Sidney A. Franklin and released by the Play a joke on Pic Corporation, told the story using child actors.[30] [31] [32] It is the earliest known filmed accommodation of the story.
  • The 1940 British movie The Thief of Bagdad borrows elements of the Aladdin story, although it as well departs from the original story adequately freely: for example the genie grants simply three wishes and the pocket-sized character of the Emperor's vizier is renamed Jaffar and becomes the master villain, replacing the wizard from the original plot.
  • Arabian Nights is a 1942 take a chance picture show directed by John Rawlins and starring Sabu, Maria Montez, Jon Hall and Leif Erickson. The film is derived from The Volume of One Thousand and One Nights just owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre (The Thief of Bagdad), information technology features no monsters or supernatural elements.[33]
  • A Thousand and 1 Nights (1945) is a tongue-in-cheek Technicolor fantasy flick set up in the Baghdad of the One Chiliad and Ane Nights, starring Cornel Wilde as Aladdin, Evelyn Keyes as the genie of the magic lamp, Phil Silvers as Aladdin'south larcenous sidekick, and Adele Jergens equally the princess Aladdin loves.
  • The Wonders of Aladdin is a 1961 moving-picture show directed by Mario Bava and Henry Levin and starring Donald O'Connor as Aladdin. This picture has a more than working-form focus: Aladdin helps the prince (Mario Girotti) and princess (as does a fakir) just never becomes i and ends up in a romantic relationship with his neighbor, Djalma (Noelle Adam). The genie (Vittorio De Sica) can grant simply three wishes (although what constitutes as a single wish is quite malleable, probably due to his sympathies with Aladdin) and shrinks with each one, which is leading to his eternal remainder after 12,000 years.
  • A 1998 movie A Kid in Aladdin's Palace directed by Robert Fifty. Levy. Direct-To-Video film
  • Adventures of Aladdin (2019), a mockbuster produced by The Asylum.[34] [35]
  • Aladdin, a Disney live-action remake of the 1992 animated moving picture, released in 2019. It stars Mena Massoud every bit the title character, Naomi Scott every bit Jasmine, Marwan Kenzari as Jafar, and Volition Smith as the Genie.

Live-action: Non-English language language films [edit]

  • Aladdin and the Wonderful Lamp is a 1927 Indian silent film, past Bhagwati Prasad Mishra, based on the folktale.[36]
  • Alladin and the Wonderful Lamp is a 1931 Indian silent film, adapted from the folktale, past Jal Ariah.[36]
  • Aladdin Aur Jadui Chirag (Aladdin and the Wonderful Lamp) is a 1933 Indian Hindi-language fantasy-adventure picture show by Jal Ariah. A remake of the 1931 film in sound.[36]
  • Aaj Ka Aladdin (Today's Aladdin) is a 1935 Indian Hindi-linguistic communication movie by Nagendra Majumdar. It is a modernistic retelling of the folktale.[36]
  • Aladdin Aur Jadui Chirag (Aladdin and the Wonderful Lamp) is a 1937 Indian Hindi-language pic adaptation by Navinchandra.[36]
  • Aladdin Aur Jadui Chirag (Aladdin and the Wonderful Lamp) is a 1952 Indian Hindi-language musical fantasy-gamble film by Homi Wadia, starring Mahipal as Aladdin and Meena Kumari as Princess Badar.
  • Alif-Laila is a 1955 Indian Hindi-language fantasy moving picture by Yard. Amarnath, Vijay Kumar portrays the character of Aladdin with actress Nimmi equally the female genie.
  • Chirag-e-Cheen (Lamp of China) is a 1955 Indian Hindi-language flick accommodation by G.P. Pawar and C. G. Trivedi.[36]
  • Alladin Ka Beta (Son of Alladin) is a 1955 Indian Hindi-language action film, it follows the story of the son of Alladin.
  • Alladin and the Wonderful Lamp is a 1957 Indian fantasy film by T. R. Raghunath. Based on the story of Aladdin, it was simultaneously filmed in Telugu, Tamil and Hindi with Akkineni Nageshwara Rao portraying the titular character.
  • Alladdin Laila is a 1957 Indian Hindi-language film past Lekhraj Bhakri, starring Mahipal, Lalita Pawar and Shakila.[36]
  • Sindbad Alibaba and Aladdin is a 1965 Indian Hindi-linguistic communication musical fantasy-run a risk movie past Prem Narayan Arora. It features the three most popular characters from the Arabian Nights. Very loosely based on the original, in which the heroes become to meet and share in each other's adventures. In this version, the lamp's jinni (genie) is female and Aladdin marries her rather than the princess (she becomes a mortal woman for his sake).
  • Main Hoon Aladdin (I am Aladdin) is a 1965 Indian Hindi-linguistic communication picture show by Mohammed Hussain, starring Ajit in the titular role.[36]
  • A Soviet picture Volshebnaia Lampa Aladdina ("Aladdin'due south Magic Lamp") was released in 1966.
  • A Mexican production, Pepito y la Lampara Maravillosa was made en 1972, where comedian Chabelo plays the role of the genie who grant wishes to a immature child chosen Pepito in 1970s Mexico City.
  • Adventures of Aladdin is a 1978 Indian Hindi-language take a chance-movie based on the tale, by Homi Wadia.
  • Allauddinum Albhutha Vilakkum (Aladdin and the Magic Lamp) is a 1979 Indian risk fantasy-drama pic by I. Five. Sasi. It was simultaneously filmed in Malayalam and Tamil with Kamal Haasan in the titular role.
  • In 1986, an Italian product (under supervision of Golan-Globus) of a modern-day Aladdin was filmed in Miami under the title Superfantagenio, starring histrion Bud Spencer as the genie and his daughter Diamante as the daughter of a police sergeant.
  • Aladin is a 2009 Indian Hindi-linguistic communication fantasy action motion-picture show directed by Sujoy Ghosh. The motion picture stars Ritesh Deshmukh in the titular role, along with Amitabh Bachchan, Jacqueline Fernandez and Sanjay Dutt.
  • The New Adventures of Aladdin, France modern retelling of the tale of Aladdin.
    • Alad'2, second sequel to the French movie The New Adventures of Aladdin (2018).
  • Ashchorjyo Prodeep is a 2013 Indian Bengali-language moving picture by Anik Dutta. This motion picture is based on a Shirshendu Mukhopadhyay novel of the same name and deals with the problems of consumerism. Information technology is a modernistic adaptation of Aladdin about the story of a eye-class man (played past Saswata Chatterjee) who accidentally finds a magic lamp containing a Jinn (played by Rajatava Dutta).
  • Aladin Saha Puduma Pahana was released in 2018 in Sri Lanka in Sinhala language.[37]

Tv [edit]

Animation: English language language [edit]

  • Aladdin is a 1958 musical fantasy written specially for television with a volume by South.J. Perelman and music and lyrics by Cole Porter, telecast in color on the DuPont Show of the Month past CBS.
  • "Aladdin and the Magic Lamp",[38] an episode of Rabbit Ears Productions' We All Have Tales series, televised on PBS in 1991, featuring John Hurt as narrator, with illustrations by Greg Burrow and music by Mickey Hart. This version is gear up in Isfahan, Persia, and closely follows the original plot, including the origin of the magician. The audiobook version was nominated for a Grammy Award for All-time Spoken Word Album for Children in 1994.
  • Aladdin, an animated series produced by Disney based on their movie adaptation that ran from 1994 to 1995.
  • Aladdin featured in an episode of Happily Always After: Fairy Tales for Every Child. The story was set in "Ancient China", but otherwise had a tenuous connection with the original plot.
  • Magi, Alladin, a young magi, befriends a Jin and goes adventuring with Alibaba. (2013) Japanese, english dub available

Live-action: English language linguistic communication [edit]

  • Aladdin appeared in episode 297 of Sesame Street performed by Frank Oz. This version was made from a large lavender alive-hand Anything Muppet.
  • A segment of the Marty Feldman episode of The Muppet Testify retells the story of Aladdin with The Great Gonzo in the part of Aladdin and Marty Feldman playing the genie of the lamp.
  • A 1967 TV pic was based on the Prince Street Players phase musical. This version is very close to the touring musical with about 15 minutes cut to be adjusted into the 50 minutes tv program. Information technology had Will B. Able as the Genii and Fred Grades as Aladdin.
  • In 1986, the program Faerie Tale Theatre based an episode on the story chosen "Aladdin and His Wonderful Lamp", directed by Tim Burton and starring Robert Carradine as Aladdin and James Earl Jones as both the ring Genie and the lamp Genie.
  • In 1990 Disney made a direct to Telly moving picture based on the Prince Street Players stage musical, starring Barry Bostwick.[39]
  • Aladdin features as one of 5 stories in the Hallmark Amusement TV miniseries Arabian Nights in 2000, featuring Jason Scott Lee as Aladdin and John Leguizamo equally both of the genies.
  • The characters of Aladdin, Jasmine, Jafar and the Sultan, along with Agrabah as the setting and the genie (jinn) of the lamp were adapted into the sixth flavour of Tv set serial Once Upon a Time, with Aladdin portrayed by Deniz Akdeniz, Jasmine portrayed by Karen David, and Jafar portrayed by Oded Fehr. Jafar besides appeared in the spin-off Once Upon a Time in Wonderland, portrayed past Naveen Andrews. Both were produced past ABC Television Studios and based on the Disney version of the story.
  • Syfy released a made-for-TV horror adaptation called Aladdin and the Death Lamp on September 15, 2012.

Live-action: Non-English [edit]

  • In Kyōryū Sentai Zyuranger, the sixteenth installment of the long-running Super Sentai metaseries, the Djinn (voiced by Eisuke Yoda) that appears in the eleventh episode ("My Master!" Transcription: "Goshujin-sama!" (Japanese: ご主人さま!)) reveals that he was the genie from the tale of "Aladdin and the Magic Lamp", which did take place.
  • The story of Aladdin was featured in Alif Laila, an Indian Television set series directed by Ramanand Sagar in 1994 and telecasted on DD National.
  • Aladdin – Jaanbaaz Ek Jalwe Anek (2007–2009), an Indian fantasy television series based on the story of Aladdin that aired on Zee Telly, starring Mandar Jadhav in the titular role of Aladdin.
  • Aladdin - Naam Toh Suna Hoga (2018–2021), a live-activeness Indian fantasy telly show on SAB TV starring Siddharth Nigam as Aladdin and Avneet Kaur/Ashi Singh as Yasmine.

Video games [edit]

  • A number of video games were based on the Disney movie:
    • The Genesis version (too on Amiga, MS-DOS, NES, Game Male child, and Game Boy Color) by Virgin Games.
    • The SNES version (as well on Game Male child Advance) by Capcom.
    • The Master Organization version (also on Game Gear) by SIMS.
    • Nasira's Revenge for the PlayStation and Windows by Argonaut Games.
    • The Disney version of Aladdin appears throughout the Disney/Foursquare Enix crossover serial Kingdom Hearts, with Agrabah existence a visitable world.
  • The video game Sonic and the Hole-and-corner Rings is heavily based on the story of Aladdin, and both genies announced in the story. The genie of the lamp is the main antagonist, known in the game as the Erazor Djinn, and the genie of the ring, known in the game as Shahra, appears equally Sonic's sidekick and guide through the game. Furthermore, the ring genie is notably bottom than the lamp genie in the story.
  • In 2010, Anuman Interactive launched Aladin and the Enchanted Lamp, a hidden object game on PC and Mac.[40]
  • In 2016 Saturn Animation Studio produced an interactive adaptation of The Magical Lamp of Aladdin for mobile devices.

Pachinko [edit]

Sega Sammy have released a line of pachinko machines based on Aladdin since 1989. Sega Sammy have sold over 570,000 Aladdin pachinko machines in Japan, as of 2017[update].[41] At an average toll of nigh $5,000,[42] this is equivalent to approximately $2.85 billion in pachinko sales revenue.

Gallery [edit]

Encounter also [edit]

  • 54521 Aladdin, asteroid
  • Arabian mythology
  • Genies in popular culture
  • The Bronze Ring
  • Jack and His Golden Snuff-Box
  • The Tinderbox
  • The Blue Low-cal
  • Three wishes joke

References [edit]

  1. ^ a b Razzaque (2017)
  2. ^ Allen (2005) pp.280–
  3. ^ Payne (1901) pp. 13-15
  4. ^ Irwin (1994) pp. 57-58
  5. ^ Mahdi (1994) pp. 51-71
  6. ^ Dobie (2008) p.36
  7. ^ Bottigheimer, Ruth B. "East Meets Westward" (2014).
  8. ^ Horta, Paulo Lemos (2018). Aladdin: A New Translation. Liveright Publishing. pp. 8–ten. ISBN9781631495175 . Retrieved 23 May 2019.
  9. ^ Paulo Lemos Horta, Marvellous Thieves: Cloak-and-dagger Authors of the Arabian Nights (Cambridge, MA: Harvard University Press, 2017), pp. 24-95.
  10. ^ Waxman, Olivia B. (May 23, 2019). "Was Aladdin Based on a Real Person? Hither's Why Scholars Are Starting to Call up So". Time . Retrieved 3 February 2021.
  11. ^ Burton (2009) pp. 1 ff
  12. ^ Plotz (2001) p. 148–149
  13. ^ Moon (2005) p. 23
  14. ^ Honour (1973) - Department I "The Imaginary Continent"
  15. ^ Arafat A. Razzaque (x August 2017). "Who was the "existent" Aladdin? From Chinese to Arab in 300 Years". Ajam Media Collective.
  16. ^ Olivia B. Waxman (2019-05-23). "Was Aladdin Based on a Real Person? Here's Why Scholars Are Starting to Think So". Time . Retrieved 2020-07-07 .
  17. ^ Ranke, Kurt (1966). Folktales of Germany. Routledge & K. Paul. p. 214. ISBN978-81-304-0032-vii.
  18. ^ Thompson, Stith. The Folktale. University of California Press. 1977. pp. 70-73. ISBN 0-520-03537-2
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Bibliography [edit]

  • Allen, Roger (2005). The Arabic Literary Heritage: The Development of Its Genres and Criticism. Cambridge University Press. ISBN978-0-521-48525-8.
  • Burton, Sir Richard (2009). Aladdin and the Magic Lamp. Digireads.com Publishing. ISBN978-one-4209-3193-eight.
  • Dobie, Madeleine (2008). "Translation in the contact zone: Antoine Galland's Mille et une nuits: contes arabes". In Makdisi, S.; Nussbaum, F. (eds.). The Arabian Nights in Historical Context. Oxford Academy Press. ISBN978-0-19-955415-7.
  • El-Shamy, Hasan (2004). "The Oral Connections of the Arabian Nights". The Arabian Nights Encyclopedia. ABC-CLIO. ISBN978-1-57607-204-2.
  • Honour, Hugh (1973). Chinoiserie: The Vision of Communist china. Ican. ISBN978-0-06-430039-ane.
  • Horta, Paulo Lemos (2018). "Introduction". Aladdin: A New Translation. Translated by Seale Y. Liveright Publishing. pp. 8–10. ISBN978-1-63149-517-5 . Retrieved 23 May 2019.
  • Irwin, Robert (2004). Arabian Nights, The: A Companion. Tauris Parke Paperbacks. ISBNi-86064-983-1.
  • Littman (1986). "Alf Layla wa Layla". Encyclopedia of Islam (2d ed.). Brill.
  • Mahdi, Muhsin (1994). The Thousand and Ane Nights Office three. Brill. ISBNninety-04-10106-3.
  • Moon, Krystyn (2005). Yellowface. Rutgers University Printing. p. 23. ISBN0-8135-3507-seven.
  • Payne, John (1901). Aladdin and the Enchanted Lamp and Other Stories. London.
  • Plotz, Judith Ann (2001). Romanticism and the vocation of childhood. Palgrave Macmillan. ISBN0-312-22735-3.
  • "Who 'wrote' Aladdin? The Forgotten Syrian Storyteller". Ajam Media Collective. 14 September 2017.
  • Witchard, Anne Veronica (2017). Thomas Shush's Nighttime Chinoiserie. Routledge. ISBN978-0-7546-5864-1.

Farther reading [edit]

  • Gaál, E. (1973). "Aladdin and the Wonderful Lamp". Acta Orientalia Academiae Scientiarum Hungaricae. 27 (iii): 291–300. JSTOR 23657287.
  • Gogiashvili, Elene (three April 2018). "The Tale of Aladdin in Georgian Oral Tradition". Folklore. 129 (two): 148–160. doi:10.1080/0015587X.2017.1397392. S2CID 165697492.
  • Haddawy, Husain (2008). The Arabian Nights. W. W. Norton & Company. ISBN978-0-393-33166-0.
  • Huet, 1000. (1918). "Les Origines du Conte de Aladdin et la Lampe Merveilleuse". Revue de 50'histoire des religions. 77: i–50. JSTOR 23663317.
  • Larzul, Sylvette (2004). "Further Considerations on Galland's 'Mille et une Nuits': A Study of the Tales Told by Hanna". Marvels & Tales. 18 (2): 258–271. doi:10.1353/mat.2004.0043. JSTOR 41388712. S2CID 162289753.
  • Marzolph, Ulrich (ane July 2019). "Aladdin Almighty: Middle Eastern Magic in the Service of Western Consumer Culture". Periodical of American Folklore. 132 (525): 275–290. doi:ten.5406/jamerfolk.132.525.0275. S2CID 199268544.
  • Nun, Katalin; Stewart, Dr Jon (2014). Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs: Agamemnon to Guadalquivir. Ashgate Publishing. ISBN978-1-4724-4136-two.

External links [edit]

  • Andrew Lang. The Arabian Nights at Project Gutenberg
  • Aladdin, or, The wonderful lamp, by Adam Gottlob Oehlenschläger, William Blackwood & Sons, 1863
  • "Alaeddin and the Enchanted Lamp", in John Payne, Oriental Tales vol. 13
  • Alaeddin, by Sir Richard Francis Burton. (in HTML and annotated)
  • The Thousand Nights and a Night in several classic translations, with additional material, including Payne's introduction [1] and quotes from Galland's diary.

Source: https://en.wikipedia.org/wiki/Aladdin

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